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Capitalism: A Love Story. English audio. Michael Moore looks at the global financial crisis and the U.S. Economy during the transition between the incoming Obama Administration and the outgoing Bush Administration. SD HD HD selected.
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- The thesis that rapacious capitalism has horrific social consequences is credible and well illustrated, if hardly eye-opening to European viewers.
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MovieTime, ABC Radio National
11/5/2009 by Ruth Hessey
Moore is always visually playful and subversive, and even when dealing with such serious and depressing topics entertaining; but he's also game enough to examine America's mythology of prosperity. - Smart-alecky and simplistic? Yeah. And primo Moore.
- As a filmmaker creating a product for a marketplace, supported by profit-seeking investors, he obviously has some comfort level with capitalism in the sense of doing business.
- Michael Moore is up to his old tricks in Capitalism: A Love Story, and that's sure to both infuriate, and entertain and inform, depending which side of the Michael Moore fence you stand on.
- While it's amusing to watch Moore on camera plaster the entrance to the New York Stock Exchange with crime-scene tape, when Moore goes through his customary security-guard harassment in another segment, it's hard not to think: Here we go again.
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Dallas Morning News
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10/2/2009 by Michael Granberry
In a movie long on symbols, dead peasants are the most egregious, but a close second would be the rah-rah 'confidential' Citibank memo about the United States having become a 'plutonomy.' - Like most of his movies, this will probably make your blood boil, but it functions at a level of such blubbering emotionality that it might as well be a Glenn Beck rant.
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Christian Science Monitor
10/2/2009 by Peter Rainer
Moore is much better at indicting culprits than providing solutions. - The result is a film that stands as one of Moore's finest arguments. It's also one of his funniest, if you accept that the jokes are all of the gritted-teeth variety.
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Minneapolis Star Tribune
10/1/2009 by Colin Covert
With Capitalism: A Love Story, Michael Moore delivers his liveliest, most radical film to date. - The script gradually becomes an ambiguous mixture of hope and desperation; at times it feels almost bipartisan in its politics.
- In passages, the movie is eloquent. In sum, it is scattershot. Organization is not Moore's strongest suit; indignation is.
- Isn't every Michael Moore film ultimately about capitalism? This one just has a more facetious title.
- For all his lack of objectivity and occasional fact-twisting, Moore takes on dauntingly complex subjects and turns them into hugely entertaining, provocative pictures.
- The film's title is never explained. What does Moore mean? Maybe it's that capitalism means never having to say you're sorry.
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St. Louis Post-Dispatch
9/30/2009 by Joe Williams
The lack of a factual backbone will be catnip for conservatives who attack everything that Moore does, regardless of the validity of his arguments. - Capitalism is alternately moving and disheartening, energizing and enervating.
- There's a simmering anger here that hasn't been present since Moore first burst upon the cinematic world with Roger and Me.
- Capitalism may be flawed, but it is nevertheless entertaining. Which counts for a lot.